![[Jean-François] Millet](https://media.getty.edu/iiif/image/cb9a2838-9bb2-40b2-a2f3-c228c8e3ea45/full/808,/0/default.jpg)
Getty Museum
[Jean-François] Millet
Creator
Nadar [Gaspard Félix Tournachon]French Photographer · 1820–1910
All works by this person →> The sun is only the practitioner, M[r]. Nadar is the artist who wants to give him some work. So wrote a critic of Gaspard Félix Tournachon in 1859. Tournachon's nickname, Nadar, derived from youthful slang, but became his professional signature and the name by which he is best known today. Poor but talented, Nadar began by scratching out a living as a freelance writer and caricaturist. His writi
More on Getty ULAN- Date
- 1856–1858
- Medium
- Salted paper prints from glass negatives
- Culture
- French
- Department
- Photographs
- Institution
- Getty Museum
"Art is not a pleasure-trip, it is a battle, a mill that grinds," remarked the painter Jean-François Millet. Born into a peasant family of modest means, Millet celebrated the dignity of manual labor and the humanity, endurance, and piety of the field worker in his paintings. Nadar's portrait of Millet perfectly corresponds with a contemporaneous description of him as "a long, strong, deep-chested man with a full black beard, a grey eye that looks through and through you." Among his intimates, however, Millet was amiable and occasionally serene. Millet said of photographic portraiture that "this art would never reach perfection till the process could be performed instantaneously and without the knowledge of the sitter. Only in that way, if at all, could a natural and life-like portrait be obtained." Although he sat for other photographers, Millet may have had the stern formality of Nadar's portrait in mind when he made this statement, perhaps having a milder self-image than this picture gives.
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