Studies of a Statuette of Atlas (recto); Studies of a Statuette of Atlas and a Figure Praying (verso)

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Studies of a Statuette of Atlas (recto); Studies of a Statuette of Atlas and a Figure Praying (verso)

Creator

Jacopo Tintoretto (Jacopo Robusti)

Italian Artist · 1518–1519

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Jacopo Tintoretto was nicknamed "little dyer" for his father's humble occupation of *tintore,* a dyer, and *il Furioso* for his violent application of paint. When Venetian dignitaries observing him asked why he worked much faster than others, the artist quipped, "Because they haven't got so many pests around to drive them crazy." Tintoretto's early training is unknown. Legend claims that an enviou

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Date
mid-1570s–1580s
Medium
Charcoal over black chalk with traces of white chalk (recto); charcoal over black chalk with traces of white chalk (verso), on blue paper (now discolored)
Culture
Italian
Department
Drawings
Institution
Getty Museum
Object ID
07b9a811-3991-48b4-90b4-d0b008a27894

From the Getty Museum record

Jacopo Tintoretto covered both the recto and verso of this sheet with four animated copies of the same bronze statuette of Atlas. Each sketch shows Atlas from the same tilted angle, in a contrapposto stance with his right foot slightly raised and his head twisted to look under his bent left arm. Each figure sits at a sharp diagonal angle, as though it had been twisted and compressed within the confines of the page and was trying to break free. Atlas's contorted position increases the overall sense of energy and muscular strength. Although each figure's position remains nearly the same, Tintoretto subtly varied the surface shading throughout. Delicate lines of parallel hatching emphasize the rippling, bumpy muscles that cover Atlas's arms, legs, and chest. Tintoretto and his workshop made at least fifteen drawings based on the statuette. The stock figure appears in a number of his paintings.

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