Apulian Red-Figure Stemless Kylix

Getty Museum

Apulian Red-Figure Stemless Kylix

Creator

Painter of the Fleischman Phlyax Cup

Artist

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Working in one of the Greek colonies in Apulia in South Italy, the Painter of the Fleischman Phlyax Cup decorated vases in the red-figure technique in the period from about 360 to 350 B.C. As with most ancient artists, his real name is unknown, and he is identified only by the stylistic traits of his work, especially the distinctive way in which he drew the garments and the women's diadems and the

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Date
360–350 B.C.
Medium
Terracotta
Culture
Greek (South Italian, Apulian)
Department
Vessels
Institution
Getty Museum

The Greek god Dionysos appears on this Apulian red-figure cup in his role as the god of theater. An actor costumed as a phlyax and holding a wreath stands before Dionysos. The god sits on a chair with a cloak wrapped around his legs holding a phiale, or offering dish, which contains three white objects, perhaps eggs. The term phlyax is used for both farces parodying the heroes and themes of mythology or the comic elements of everyday life and for the actors who performed them. These plays were popular in the 300s and 200s B.C. in the Greek colonies in Italy. The term phlyax probably derives from the Greek verb "to swell" and finds its meaning in the actor's costume of a mask, tights, a padded tunic, and a large artificial phallus. On the outside of this cup, set on a low disk foot, a seated woman holding another phiale with eggs faces a kneeling Eros holding a fillet or ribbon. On the other side, a similar scene is depicted. A nude boy kneels before a woman holding a phiale and a mirror. This cup represents a change in the theatrical scenes that were so popular on South Italian pottery. About 360 B.C., painters shifted from depicting scenes from plays to alluding to the theater by showing either an actor or Dionysos.

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