"Blanchisserie à Scheveningen" Bleachery at Scheveningen (recto); "Femme de Scheveningen" Woman from Scheveningen (verso)

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"Blanchisserie à Scheveningen" Bleachery at Scheveningen (recto); "Femme de Scheveningen" Woman from Scheveningen (verso)

Creator

Vincent van Gogh

Dutch Artist · 1853–1890

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Author

> I can very well do without God both in my life and in my paintings, but I cannot, ill as I am, do without something which is greater than I, which is my life--the power to create. > > --Vincent van Gogh Art was Van Gogh's means of personal, spiritual redemption, and his voluminous letters to his devoted brother Theo, one of which is quoted here, offer profound insight into the artistic struggle.

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Date
1882
Medium
Watercolor heightened with white gouache
Culture
Dutch
Department
Drawings
Institution
Getty Museum

"I also did a bleaching ground at Scheveningen right on the spot, washed in at one sitting, almost without preparation, on a piece of very coarse Torchon [paper]," Vincent van Gogh wrote on 26 July 1882. Displaying his early accomplishment after only six months of working in and around The Hague, the recto and verso of this drawing together offer a fascinating glimpse into van Gogh's working process. He probably began by drawing the Scheveningen woman on the verso. Possibly dissatisfied with its murky effect, he may also have cut down the sheet to its current dimensions. Recycling the high-quality Torchon paper, he turned the sheet over and painted this luminous scene in watercolors as he watched the women at work in the field. With the whites blowing from the fence, van Gogh retained the freshness of the moment and created a sense of motion within an otherwise still landscape. Divergent and well-observed details combine into a single overall scheme, conveying a sense of open outdoor space. Masterfully handling a difficult medium, van Gogh revealed the luminosity of watercolor and hinted at the expressiveness and colorful palette of his art to come.

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