Horses and Riders (recto); Horses (verso)

Getty Museum

Horses and Riders (recto); Horses (verso)

Creator

Théodore Géricault

French Artist · 1791–1824

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> Obstacles and difficulties which repel mediocre men are a necessity and nourishment to genius. They mature and elevate it, when in an easier road it would have remained cold. > > --Théodore Géricault Géricault's fiery, daring personality and short life fit the mold of Romantic artists of his era and, along with his controversial paintings, profoundly influenced nineteenth-century art. Despite ab

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Date
1813–1814
Medium
Graphite
Culture
French
Department
Drawings
Institution
Getty Museum

An enthusiastic horseman himself, Théodore Géricault was fascinated with the movement and power of these animals. In this page from one of his many dismantled sketchbooks, both the recto and verso contain numerous drawings of horses. On the front or recto, Géricault experimented with placing different liveried officers on the backs of rearing horses. Although he varied the uniform, helmets, and swords of the officers, the prancing animals set at various angles appear to have the most energy. Géricault's animated pencil moved vigorously across the sheet, creating flowing tails and prancing feet with quick, sure strokes. On the back or verso, Géricault concentrated on bold renderings of horses alone. He practiced on four heads in the corner, while the central figures focus more on stance. The swirling lines that effortlessly suggest the head and manes of the animals blend into strong, muscular bodies with the addition of shaded lines. These quick sketches contrast sharply with the painstaking detail of a single hoof, where Géricault showed the nail studs of the horseshoe, the hairy fetlock, and strong bone structure with careful precision.

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