Getty Museum

Portrait of Anthony Valabrègue

Date

1869–1871

Medium

Oil on canvas

Culture

French

Department

Paintings

Institution

Getty Museum

When a jury member at the Paris Salon of 1866 saw Paul Cézanne’s portrait of the poet and critic Antony Valabrègue, he exclaimed that the portrait was not painted with a palette knife but with a pistol. The coarse appearance created by Cezanne’s bold, almost violent technique led Valabrègue, a longtime friend of the artist, to complain to the writer Zola: “He has given me such a fierce complexion that it reminds me of the statue of Champfleury when it was stained with squashed blackberries.” Valabrègue nonetheless posed several more times for Cézanne, including for the present portrait, thought to have been painted around 1869 to 1871. By this point the painter had substituted brushes for palette knives but was still using them to similar effect. With broad brushes Cézanne applied a limited range of colors in thick, successive layers, practically sculpting his friend’s face, hair and beard in paint. The result was a deliberately crude, rough-hewn likeness that deviated sharply from the decorous conventions of bourgeois portraiture during this period.

The authoritative record is held by Getty Museum. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.