
Getty Museum
Tondal Suffers a Seizure at Dinner
Creator
Simon MarmionFlemish Illuminator · 1450–1489
All works by this person →Not long after his death, Simon Marmion was praised by the poet Jean Lemaire de Belges as the "prince of illumination." This reputation probably owed much to the artist's proficiency in depicting nature and his skill as a storyteller. Marmion was especially gifted in the representation of light and the textures of objects, as well as the creation of engaging psychological content in the gestures a
More on Getty ULAN- Date
- 1475
- Medium
- Tempera colors, gold leaf, gold paint, and ink
- Culture
- Franco-Flemish
- Department
- Manuscripts
- Institution
- Getty Museum
- Object ID
- 22543c8a-86ef-4d01-9155-4941793aec45
The narrator of *The Visions of the Knight Tondal* began his cautionary tale with a prologue: *Lord Tondal was young of age and of a very noble house...But he had one thing about him, which I cannot mention without sadness, that he was so confident in his youth, in his good looks, and in his strength, that to the salvation of his soul he never gave a thought....* The miniature at the top of the page represents the first pivotal moment in the story, when Tondal becomes ill at a banquet. The artist, Simon Marmion, set the scene in an upper-class dining hall with a long table, many hovering attendants, and richly attired guests. In the center, Tondal, with his right arm "extended toward a platter of food to help himself," clutches his left hand to his chest. About to collapse, he tells the group that he has had a vision that he is about to die In this scene, Marmion focused on the descriptive details of a familiar domestic setting and painted the scene with bright, lyrical tones. In contrast, the Hell scenes that follow are more inventive and painted in vivid colors with sharp contrasts.
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