
Getty Museum
Chicago
Creator
Edmund TeskeAmerican Photographer · 1911–1996
All works by this person →Edmund Teske credited a grammar school teacher with inspiring his interest in photography. He received his first box camera around 1920. During his adolescence he studied drawing, painting, and music; when he graduated from high school, he built his own darkroom in the basement of the family home. In 1934 Teske took a position as an assistant in a commercial photographic studio in Chicago. He went
More on Getty ULAN- Date
- March 1940
- Medium
- Gelatin silver print
- Culture
- American
- Department
- Photographs
- Institution
- Getty Museum
- Object ID
- 26a95698-6130-4498-9822-a581480d1682
Anything is art depending on what attitude you bring to it. . . . Art is a matter of picking up the mundane and giving it a higher level of expression. --Edmund Teske The subject of this Edmund Teske photograph is both elusive and mundane: a discarded piece of paper lying in a field of grass, rumpled from being blown about. What is most noticeable is the pattern of elongated holes that puncture the strip in intervals. These punched holes are obviously manmade; they appear too regularly spaced and square-shaped to be caused by the branches that the paper is snagged on. This image was part of a series of studies that Teske made of his hometown, Chicago, in which he documented the rundown industrial environment on the city's South Side during the late 1930s. This strip of paper once had a purpose: It generated music from a pianola, or player piano, whose keys performed the notes coded as holes in the paper. Now discarded, it could be imagined that a wind gusting across the prairie might cause a soft whistling sound as it passes through the holes. Although the strip of paper no longer performs the music it was meant to play, by photographing it Teske suggested that even in its rumpled state, it is still worth looking at.
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