Allegorical Figure of Friendship (recto); Christ on the Cross (verso)

Getty Museum

Allegorical Figure of Friendship (recto); Christ on the Cross (verso)

Creator

Juan del Castillo

Spanish Artist · 1590–1657

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Little is known about the life of Juan del Castillo, one of Seville's leading painters of the 1630s and 1640s. Documents establish the boundaries of his career as 1611 and 1650. Scholars also know that he was related by marriage to painter Alonso Cano, his Sevillan peer, and to Bartolomé Esteban Murillo, who became Castillo's apprentice. His Sevillan predecessors influenced Castillo's warm palette

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Date
about 1630–1650
Medium
Pen and brown ink
Culture
Spanish
Department
Drawings
Institution
Getty Museum

This figure, labeled *Amititia* (Amicitia) in the lower left, represents Friendship. Juan del Castillo took the elements of the allegory from Cesare Ripa's *Iconologia* of the 1600s, which became a standard reference work for artists searching for ways to represent abstract ideas. According to Ripa, *Amicitia* was to be shown as a fair young woman, simply draped in the white robe of Truth, the virtue upon which friendship is based. She goes barefoot "for friendship knows no inconvenience too great for it," and rests one foot on a skull, "for friendship jeers at death." The artist probably intended the sphere drawn here as a free allusion to the skull. The inscription cerca (close) and lexos (far) on her breast refers to Ripa's description of keeping friends close to one's heart, regardless of whether they are near or far. Castillo drew a study for a scene of *Christ on the Cross* on the back of this drawing. Since Castillo drew the cross at an oblique angle, the figure may have been made for a *Raising of the Cross*.

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