Midnight Reykjavík #8

Getty Museum

Midnight Reykjavík #8

Creator

Soo Kim

American Photographer · 1969–present

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Artist Soo Kim often employs techniques of cutting and layering in order to introduce areas of absence or disruption in what we tend to take for granted--the interpretation of photographic images. Kim believes that the lengthy process required to create her photographs infuses them with a "slowness" that finds its counterpart in the amount of time it takes the viewer to comprehend them. Her work o

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Date
negative 2005; print 2007
Medium
Layered, hand-cut chromogenic print
Culture
South Korean
Department
Photographs
Institution
Getty Museum

This is one of twelve works that make up the series Midnight Reykjavíik. It is made up of two photographic prints that were hand cut and then layered, one upon the other, and mounted between sheets of Plexiglas. By slicing into the prints' surfaces, Soo Kim added a surreal quality to the skeletal outlines of this urban environment, in which traces of nature such as trees and water improbably poke through interior spaces. Intrigued by reports of Reykjavík's compact scale and rich folklore, Soo Kim traveled to Iceland's capital city in 2005. After exploring the pedestrian friendly city, she selected a rooftop vantage point that provided access to condensed views of the brightly painted homes lining narrow streets and sweeping vistas of the surrounding mountains and sea. Adjusting the focus of her handheld 2 1/4-inch format camera, she rotated 360 degrees in a counterclockwise direction to create a loosely structured panorama. Taken at midnight during the summer solstice, the photographs introduce elements of uncertainty into a city that appears brightly lit but eerily still.

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