The Visitation

Getty Museum

The Visitation

Creator

Juan Carreño de Miranda

Spanish Artist · 1614–1685

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The son of a painter with the same name, Juan Carreño de Miranda began his training in Madrid during the late 1620s. By 1634, he was an independent artist receiving numerous commissions, mainly from the church to paint altarpieces. His earliest work reveals both Italian and Flemish influences, especially from the works of Peter Paul Rubens, Anthony van Dyck, and Titian. In 1658 Carreño was hired a

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Date
about 1655–1660
Medium
Pen and brown ink and gray-brown wash, heightened with white gouache, over touches of black chalk (recto); Black chalk (verso), on light brown paper
Culture
Spanish
Department
Drawings
Institution
Getty Museum

Two cousins share in a moment of mutual happiness in this scene of rejoicing. The Virgin Mary rushes up the steps to congratulate her elderly cousin Saint Elizabeth, placing her left hand on Elizabeth's shoulder and clasping the other. Both women celebrate their respective pregnancies, the Virgin with the infant Jesus and Elizabeth with John the Baptist. Elizabeth had particular cause for celebration as she had conceived in old age, after a lifetime of barrenness. Juan Carreño de Miranda conveyed the scene thorough energetic motion and nervous handling of the pen. Vigorous strokes describe the flowing outline of the Virgin's cloak, while summary passages of wash in gray-brown define Elizabeth's head and back. Amid the swirling mass of lines on the left several indistinct heads are visible. Another mother crouches at the foot of the steps, holding a baby in her arms.

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