The Worship of the Five Wounds

Getty Museum

The Worship of the Five Wounds

Creator

Simon Bening

Flemish Illuminator · 1483–1561

All works by this person →
Artist

One of the most celebrated painters of Flanders in the 1500s, Simon Bening was hailed by Portuguese art critic Francisco da Hollanda as the greatest master of illumination in all of Europe. In addition to producing books for powerful aristocrats such as Cardinal Albrecht of Brandenburg, Bening worked for a group of international royal patrons including Emperor Charles V and Don Fernando, the Infan

More on Getty ULAN
Date
about 1525–1530
Medium
Tempera colors, gold paint, and gold leaf
Culture
Flemish
Department
Manuscripts
Institution
Getty Museum

In contrast to the immediately preceding miniatures of the Passion, which were sorrowful in tone, this illumination ends Albrecht of Brandenburg's prayer book on a more hopeful note while continuing the Passion-based themes that run throughout most of the manuscript. A group of adoring angels and a crowd of people representing various classes--kings, clergy, aristocrats, and monks--regard the extraordinary vision of the five wounds of Christ set in the middle of vibrant pink and gold circles of light. In this scene, an unusual version of the Second Coming of Christ, the body that had been destroyed has become a symbol of power. Christ's wounds are no longer objects of sorrow but of reverence and awe.

The authoritative record is held by Getty Museum. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page
See at Getty Museum

Related across collections

Semantically similar works from Getty Museum and other institutions.