
Getty Museum
[SS Storm Trooper Chief (SS Hauptsturmführer).
Creator
August SanderGerman Photographer · 1876–1964
All works by this person →During military service, August Sander was an assistant in a photographic studio in Trier; he then spent the following two years working in various studios elsewhere. By 1904 he had opened his own studio in Linz, Austria, where he met with success. He moved to a suburb of Cologne in 1909 and soon began to photograph the rural farmers nearby. Around three years later Sander abandoned his urban stud
More on Getty ULAN- Date
- 1937
- Medium
- Gelatin silver print
- Culture
- German
- Department
- Photographs
- Institution
- Getty Museum
> In the late 1920s and early 1930s August Sander was at the height of his career. The publication of *Face of the Time* in 1929 and his radio lectures on the nature and development of photography in 1931 had established him as one of the preeminent German photographers of his day. The National Socialist takeover in 1933 put a dramatic end to his creative ambitions, however. His son Erich (1903-1944) was arrested for Communist activities that year and sentenced to ten years in prison in 1934. Sander himself came under intense Nazi scrutiny for having aided Erich in the reproduction of Leftist leaflets. In 1936 the Reich Chamber of Visual Arts ordered the halftone plates of *Face of the Time* to be destroyed and all copies of the book to be seized. > > Given these circumstances, it is all the more surprising that Sander in 1937 created this picture of an SS officer in Cologne. The image was made at the central train station, with the city's famous neo-Gothic cathedral as a backdrop. As in most of Sander's portraits, there is no detectable criticism, no sense of the photographer indicting the brutal politics this man represented. On the contrary, the cathedral in the background, a poignant symbol of German identity, lends the soldier a nobility and legitimacy that is reminiscent of Sander's best work from the Westerwald. > > Like many of his fellow countrymen, Sander may not have realized what horrendous crimes the Nazis were capable of committing. He photographed the SS chief as if the man were just another specimen in his typological catalogue. The extent of Sander's political naïveté revealed in this picture is stunning, matched only by the intensity of his desire to record his country as objectively and truthfully as his medium would permit. > > Adapted from *August Sander*, In Focus: Photographs from the J. Paul Getty Museum by Claudia Bohn-Spector (Los Angeles: J. Paul Getty Museum, 2000), 88. ©2000, J. Paul Getty Trust.
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