Sketches of a Ballet Master

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Sketches of a Ballet Master

Creator

Edgar Degas

French Photographer · 1834–1917

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Artist

> No art was ever less spontaneous than mine. What I do is the result of reflection and study of the great masters; of inspiration, spontaneity, temperament . . . I know nothing. > > --Edgar Germaine Hilaire Degas From a wealthy Parisian family, Degas devoted himself exclusively to painting without needing to sell a canvas. His training was conventional: he spent five years in Italy, studied the O

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Date
about 1877
Medium
Drawing
Culture
French
Department
Drawings
Institution
Getty Museum

The writer Edmond de Goncourt wrote in his journal in 1873: "Yesterday I spent the afternoon in the studio of a painter named Degas. After many attempts, many bearings being taken in every direction, he has fallen in love with the modern and, in the modern, he has cast his choice upon laundresses and dancers." In the 1870s Edgar Degas became fascinated with ballet dancers, paying frequent visits to the classes where the Opèra's ballet master, Perrot, trained groups of young girls. He used these excursions to work out new ideas for various paintings or lithographs or to rework ideas that he had used before. In this group of three quick sketches, Degas concentrated on the gestures and expressions of the ballet master and his pupil, several of which he later re-used. At the left Perrot directs the dancers as he does in a painting known as *Répétition de Ballet* (Ballet Practice). In the center, a tall dancer faces left with her head bent forward. Perrot appears again on the right in the same position as in two earlier paintings, *Classe de Danse* (Dance Class) and *Examen de Danse* (Dance Exam).

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