[Side Porch]

Getty Museum

[Side Porch]

Creator

Paul Strand

American Photographer · 1890–1976

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Artist

Paul Strand began photographing in New York in the 1910s. During the early 1920s he received recognition for both his painting and his photography. He visited New Mexico in 1926 and, beginning in 1930, returned for three consecutive summers, making portraits of artist friends and acquaintances. It was there, amidst a community of visual artists and writers, that Strand began to develop his belief

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Date
1946
Medium
Gelatin silver print
Culture
American
Department
Photographs
Institution
Getty Museum

*New England has . . . a special meaning for Americans. The land and its people, their cities and towns, their factories and mills, the villages surrounded by farms, the long coast and the sea whipping against it . . . . But there is something more. . . . For here in this region . . . were born many of the thoughts and actions that have shaped America for more than three hundred years.* So wrote Paul Strand in the foreword to *Time in New England*, a book that combined his photographs of the region with texts by New Englanders. Strand was encouraged to undertake this project in 1945 by Nancy Newhall, then acting curator of the Museum of Modern Art in New York. He spent a number of years looking for "images of nature and architecture and faces of people that were either part of or related in feeling to [New England's] great tradition." This striking composition--an open doorway and an assortment of everyday objects on a porch--was accompanied by the writings of Henry Adams. Describing life in the country, Adams wrote of "the smell of hot pine-woods and sweet fern in the scorching summer noons; of new-mown hay; of ploughed earth; . . . of stables, barns, [and] cow-yards." The rich surface details in this image convey the sensuousness that Strand associated with New England's scenery.

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