Leaves of Orchidea

Getty Museum

Leaves of Orchidea

Creator

William Henry Fox Talbot

Photographer · 1800–1877

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MakerArtist

In 1833, after failed attempts at drawing using the camera lucida, an optical tool, William Henry Fox Talbot wrote: "[H]ow charming it would be if it were possible to cause these natural images to imprint themselves durably, and remain fixed upon the paper!" Talbot, a scientist, mathematician, and author, is credited with being one of the inventors of photography. In mid-1834 he began to experimen

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Date
April 1839
Medium
Photogenic drawing negative
Culture
British
Department
Photographs
Institution
Getty Museum

> In describing the production of a work like *Leaf of a Plant* in his *Pencil of Nature* (1844-46), William Henry Fox Talbot explained that a delicate leaf “is laid flat upon a sheet of prepared paper” and “then covered with a glass, which is pressed down tight upon it by means of screws. This done, it is placed in the sunshine for a few minutes, until the exposed parts of the paper have turned dark brown or nearly black. . . . The leaves of plants thus represented in white upon a dark background, make very pleasing pictures.” “Very pleasing” woefully understates the active beauty of this arresting image. One’s imagination can easily transform it into a gossamer-winged insect flying up to a plant. The skeletal forms yield an x-ray vision of the specimens’ interior structure. > > In addition to the title, Talbot signed and dated this negative in ink on the verso, most likely with presentation in mind. Its early provenance is unknown, but he recorded in his memoranda book that on April 14, 1839, he sent a photograph of an “orchis leaf” to the famous horticulturist John Lindley, a fellow botanist whom he had known for years. If this indeed was a present to Lindley, it was of a subject carefully selected by Talbot, for orchids were Lindley’s particular area of study. > > Larry Schaaf, *William Henry Fox Talbot*, In Focus: Photographs from the J. Paul Getty Museum (Los Angeles: Getty Publications, 2002), 20. ©2002 J. Paul Getty Trust.

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