Self-Portrait

Getty Museum

Self-Portrait

Creator

Annibale Carracci

Italian Artist · 1560–1609

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"Neither clean nor well-dressed, with his collar askew, his hat jammed on any old way and his unkempt beard, Annibale Carracci seemed to be like an ancient philosopher, absent-minded and alone," wrote an early biographer. A tailor's son, Carracci considered himself a craftsman, not a courtier, but the Romans buried him in the Pantheon beside Raphael. Along with his older brother Agostino and his c

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Date
early 1580s
Medium
Pen and brown ink
Culture
Italian
Department
Drawings
Institution
Getty Museum
Object ID
3b9adc99-75d4-4b08-ad5f-be43efb85027

The sad, staring eyes, prominent ears that sit a bit far back on the head, tousled hair, and the long flat nose identify this as Annibale Carracci. He assumed an informal pose, leaning slightly forward with his right elbow extending slightly beyond the frame's bottom and casting a shadow. As he drew himself in the mirror, his right hand was moving, resulting in the tangle of lines representing the left arm. Skeletal beasts with beaked heads and long necks peer down from the upper corners, reminders of mortality, and two beady-eyed dolphins with tails in the air inhabit the bottom corners. Carracci humorously portrayed himself here as a scruffy, ordinary individual. In a format usually reserved for formal, flattering portraits, he demonstrated his ability to quickly pick out the most important, expressive features. In a display of originality, he leans forward out of the picture frame as if from a window. Francesco Maria Niccolò Gabburri, who assembled numerous drawn self-portraits and portraits of artists, once owned this sheet. He also owned the Getty Museum's *Self-portrait* by Gaetano Sabbatini, which shares the oval format. This drawing remains laid down on the original Gabburri mount, but it has been cut down drastically.

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