Study of an Angel

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Study of an Angel

Creator

Mair von Landshut

German Artist · 1450–1504

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Long after he died, scholars named this artist Mair von Landshut using the signatures and inscriptions on his fewer than fifty works. Almost nothing is known of his life, but his last dated drawing was from 1504. The Munich tax records of 1490 list a "Mair maler von Freising" (Mair, painter from Freising), and the style of altarpiece panels in a Munich church from around 1490 corroborates his pres

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Date
1498
Medium
Black ink and white tempera highlights, on gray prepared paper
Culture
German
Department
Drawings
Institution
Getty Museum

This angel seems to hang suspended against the background, with outstretched wings, tilted head, downcast eyes, and the right arm pointing over its shoulder. The absence of other figures besides the lone angel makes it difficult for scholars to interpret its pointing gesture. They guess that the artist intended to use the design as part of a larger composition such as a painting or print. Mair Von Landshut used only black ink and white heightening to create the stiff, flat folds of the angel's robe and the flying drapery beneath. Much of the heightening that probably once covered the angel's wings and clothing has suffered some surface damage and is now gone. Only traces remain to lift the fabric up out of the dark gray color of the background. With little light contrast left, the dark ink hatching therefore appears stronger than it would have originally.

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