
Getty Museum
Bust of Marie-Sébastien-Charles-François Fontaine de Biré
Creator
Jean-Antoine HoudonFrench Artist · 1741–1828
All works by this person →Jean-Antoine Houdon studied in Paris under such sculptors as Jean-Baptiste Lemoyne and Jean-Baptiste Pigalle. As a winner of the Prix de Rome, he worked in Rome from 1764 to 1768. There he was influenced by ancient artifacts, including those recently unearthed in Herculaneum and Pompeii, and works of Renaissance masters, especially Michelangelo. He created his important anatomical study of a stand
More on Getty ULAN- Date
- 1785
- Medium
- Marble
- Culture
- French
- Department
- Sculpture
- Institution
- Getty Museum
- Object ID
- 4ec5bb80-63e7-4e50-ae93-94ba7a251504
From the Getty Museum record
Through exacting realism, Jean-Antoine Houdon convincingly captured the skin's texture, and the underlying bone and musculature of this eminent figure. The sitter's attire and hair--styled with a long ponytail at the back--indicate his status as a high-ranking French government official. But Monsieur de Biré's personality also shows through in the bust's subtle features. The wrinkles around his eyes and the soft jowls that brush his scarf reveal advanced age. Yet his sparkling eyes and the upturned corners of his lips, which hint at a smile, convey a warm disposition. To accurately render Biré's likeness, Houdon measured his head and face with calipers, and probably made a plaster "life mask" for reference. He probably modeled the bust first in clay, and then made a plaster cast. From those initial studies, Houdon would have produced this final marble version, which he gave to the sitter. Biré may have commissioned the bust to celebrate his newly appointed position as a treasury official under Louis XVI.
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