Study for a Stained Glass Window with the Coat of Arms of the Barons von Paar (recto); Study for a Sceptre with the Initials MB (verso)

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Study for a Stained Glass Window with the Coat of Arms of the Barons von Paar (recto); Study for a Sceptre with the Initials MB (verso)

Creator

Georg Pencz

German Artist · 1484–1545

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One of the "Little Masters" who made tiny, intricate, and influential prints, Georg Pencz always retained the influence of Albrecht Dürer, whose Nuremberg workshop he entered in 1523. Pencz also kept up with current trends in Italy, varying his style throughout his career. After being banished from Nuremberg in 1525 along with the other "godless painters" Hans Sebald Beham and Barthel Beham for as

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Date
about 1540
Medium
Pen and brown ink with gray wash (recto); black chalk (verso)
Culture
German
Department
Drawings
Institution
Getty Museum

The inscription that wraps around this design for a stained-glass window identifies the arms as those of Marcus Belidorus de Casnio, an ancestor of the noble von Paar family. A bare-breasted woman supports the bottom of the family's coat of arms, which is tied to a leafless tree. From its branches hang other elements of their emblems. The crowned bull on the left carries the initials *MB* on the end of a sword. The motto hanging from the tree reads *Stemmata virtuti et munificentie ad avcta. Herov[m] propria* (The family trees of heroes grow greater through virtue and munificence), suggesting the continuation of the glory of de Casnio's descendants. A small turreted palace beside a lake in the background displays a specifically Northern European style. To give this scene depth and volume, Georg Pencz combined delicate line drawing with carefully applied washes.

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