M. Jules de Prémaray, courrier des théâtres

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M. Jules de Prémaray, courrier des théâtres

Creator

Nadar [Gaspard Félix Tournachon]

French Photographer · 1820–1910

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> The sun is only the practitioner, M[r]. Nadar is the artist who wants to give him some work. So wrote a critic of Gaspard Félix Tournachon in 1859. Tournachon's nickname, Nadar, derived from youthful slang, but became his professional signature and the name by which he is best known today. Poor but talented, Nadar began by scratching out a living as a freelance writer and caricaturist. His writi

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Date
1857
Medium
Salted paper print
Culture
French
Department
Photographs
Institution
Getty Museum

When Jules Martial Regnault, called de Prémaray, sat for Nadar in 1857, the two men had known each other for about fifteen years. Before his sitting, de Prémaray wrote to Nadar for advice on the most appropriate clothing for the photograph, suggesting the importance Nadar placed on apparel in his portraits. Whether de Prémaray's velvet smock belonged to him or to Nadar is uncertain, but it seems large for the writer's frail figure and the sleeves appear to have been turned back at the wrists, creating deep satin cuffs. On the back of his photographs, Nadar customarily wrote the professions of his sitters; he designated de Prémaray as a theatrical critic rather than as the playwright he also was. The deep circles under de Prémary's eyes may be symptoms of the severe illness that soon necessitated a three-year course of hydrotherapeutic treatments. By 1859 the critic's precarious health had forced him to give up all kinds of writing, and he died nine years later at age forty-nine.

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