Initial S: The Stoning of Saint Stephen

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Initial S: The Stoning of Saint Stephen

Creator

Master of Gerona

Italian Illuminator · 1300–present

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The anonymous Master of Gerona, who derives his name from his work on the illuminations in a Bible now in Gerona, Spain, was deeply influenced by Byzantine icon painting. In particular, like many of his Italian contemporaries, he was interested in the convincing depiction of three-dimensional objects in space, one of the innovative trends that led to the later Italian Renaissance style. The Master

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Date
late 13th century
Medium
Tempera colors, gold leaf, and ink
Culture
Italian
Department
Manuscripts
Institution
Getty Museum

Around the tendrils of the *S* that opens the chant sung on his feast day, Saint Stephen kneels in prayer while his tormentors hurl stones at him from behind. Stephen, who lived at the time of Jesus, was the first martyr to sacrifice his or her life in the name of Christianity. This illumination closely follows the biblical story--showing that Stephen's devotion continued through prayers that he recited during his torment. To heighten the impact of the drama, the illuminator depicted the stones both in the hands of the attackers and actually striking Stephen's body. The saint's face, however, betrays no fear, so sure is he of Jesus' saving power. In the upper segment of the letter *S,* Saul, who later converted and became Saint Paul, crouches on the discarded robes of the false witnesses who testified against Stephen. Despite the scene's violence, the artist takes delight in the elegant pivot of the first tormentor, the decorative scrolls on the letter and on the saint's gown, and in the tooling--small decorative dots punched in the gold leaf--of Stephen's halo.

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