Cantaloupe Pickers, Mexicans, at End of Day in California Melon Fields / Mexican Labor Off for the Melon Fields in the Imperial Valley, California

Getty Museum

Cantaloupe Pickers, Mexicans, at End of Day in California Melon Fields / Mexican Labor Off for the Melon Fields in the Imperial Valley, California

Creator

Dorothea Lange

American Photographer · 1895–1965

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Artist

Born Dorothea Nutzhorn in Hoboken, New Jersey, to first-generation German Americans, Dorothea Lange was stricken at age seven with polio, which left her right leg and foot disfigured. Her father abandoned the family when she was twelve. After high school, she apprenticed with portrait photographer Arnold Genthe in Manhattan and studied with Clarence H. White at Columbia University’s Teacher’s Coll

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Object Description · Getty Museum

> Dorothea Lange met economics professor Paul Schuster Taylor in 1934 when her photographs of labor leaders, May Day demonstrators, and breadline recipients ([2000.43.1](http://www.getty.edu/art/collection/objects/129301)) were on view in her first one person show at her friend Willard Van Dyke's studio. Taylor would become Lange's professional partner and in 1935, her second husband. For Taylor, pictures were as important as statistics and analysis; his research methodology included photography from 1927 on. However, before he met Lange, the pictures that he used were his own. Taylor's young family was his first subject in the 1920s, but, apparently inspired by the combination of text and images in the social welfare journal that had published much of Lewis Hine's innovative documentary work—*Survey Graphic*—he chose to take his Kodak with him when he began the study of Mexican migrants. Van Dyke also exhibited the economist's prints at about the same time. Once a team in the field, Lange made the photographs with her more professional equipment (various Graflex, Rolleiflex, and view cameras) while Taylor continued his interviews with farm workers. > > Taylor was raised in western Iowa and attended the University of Wisconsin before doing graduate work at the University of California, Berkeley. He received a Ph.D. in labor economics there in 1922 for his study of merchant seamen. For the next forty years he taught in the economics department, becoming a full professor in 1939. His fieldwork on Mexican immigration began in 1927 with research money from the Social Science Research Council and the Guggenheim Foundation. The results of the study were published as the multivolume *Mexican Labor in the United States* (1928-34). In the early 1930s he started contributing articles to a variety of scholarly journals and progressive publications, including *Rural Sociology, Monthly Labor Review, Survey Graphic,* and *American Sociological Review.* In addition, his concern with being in the field, or "on the ground" as he called it, led him to involvement with the Rural Rehabilitation Division of the California Emergency Relief Administration, the Resettlement Administration, and the Social Security Board. Adapted from Judith Keller, *Dorothea Lange,* In Focus: Photographs from the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2002), p. 22. © 2002 J. Paul Getty Trust.

Getty Museum’s catalogue record

produced_by.carried_out_by[0].id
https://data.getty.edu/museum/collection/person/d6446240-36e4-49d8-a9e7-bf0126c6cd95
Artist/Maker
Dorothea Lange
subject_of[Homepage].id
https://www.getty.edu/art/collection/object/108FZ0
Date
July 1935
Medium
Gelatin silver print
Culture
American
Object Type
Print

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Open this page QR destination: https://linkedculture.org/q/q1.QfoOSTHqdvGSzbWB.r_QTCxupirH1GntUcX-PT_btbf9Xq1pfE2xX84mSh0J3Mtwo7FSfa0kcZeReIGnyd_qcwDWQK14mm92xVQNCgVfTa-74gBcPbpaIJlkcS5UnyMRTMzqDT0ECjxJVR-SRmUeJZZZx0VMU0NhyEw-1w5gR7hcK_HOWelWdhxxIjmciJFr2d6fpZL1kuXeq0JnWhchAaXnSFlgtbG2UKIkMWKcDDivV4ni34bsxs1X2ickOz1L_JB73Q-3LVMxFrXDaF2RfpKd8AyGm8tPX16lVQU_uO-hR4BkYKrY6tYbD-phncAwXows2ZKq8vzINA1rLOcA0TPIW_H-QtoGTxVKjGazOgTFcuZ1BqvMfNOgGbOQW6Sv8CpmgIOUKCe9NOwXWWeY4Uc4foPnmbjR7Dqa3See at Getty Museum QR destination: https://linkedculture.org/q/q1.FKjtljwvTvyH3SV3.0CXdZyimdT6LKjsYshygZUNprNL0MtNeQsBvVDQogXO3p1cItCwt0c_THDWjK6SjSHtxgYlEqJS1g7dSQ3nVzd9K9QGSepyBJS_2LcovEsP0nyPc5kLFGSu_RzbUuTYLues_WdSRXHebCQRB7j3Wu3J--xpRFL_HBnsIaokGiblbmTjQxBLBa-nbgx9BH97fvyd8bj8miu-livmacuY3OSSCSm3KFmbYEbcTJ04Sac1h7uD7mxX9AgEZFMqlJkCcAMpIyWI5uffhnPHAK68MTr24_ts9E81dUDjggIeEwjNCCJ0vuG9Z1_nUTY3efU5ArhwgWALFAce_NCCW10wsRCVkVoMCrl-mfu45ae7ksqmeEbovhAhGPQWpDXw
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Object ID
61f8edf7-3c5b-46a1-8fef-a4f12256865c
Object Type
Print
  • Getty Museum field “Object Type” · copied as is
Creator
Dorothea Lange
  • Getty Museum field “Artist/Maker” · copied as is
Culture
American
  • Getty Museum field “Culture” · copied as is
Medium
Gelatin silver print
  • Getty Museum field “Medium” · copied as is
Department
Photographs
  • Getty Museum field “Department” · derived by LinkedCulture from the museum field · Getty's classification category is stored as department.
Credit Line
The J. Paul Getty Museum, Los Angeles
  • Getty Museum field “Standard Credit Line” · the first available of several museum fields
  • Getty Museum field “Source Credit Line” · the first available of several museum fields
Date
July 1935
  • Getty Museum field “Date” · copied as is
Begin Year
1935
  • Getty Museum field “produced_by.timespan.begin_of_the_begin” · derived by LinkedCulture from the museum field
End Year
1935
  • Getty Museum field “produced_by.timespan.end_of_the_end” · derived by LinkedCulture from the museum field

The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.

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