
Getty Museum
Bullfight
Creator
Édouard ManetFrench Artist · 1832–1883
All works by this person →>History painting, what a joke! There is only one authentic thing: to paint what you see. > >--Édouard Manet Described by his contemporaries as a debonair, charismatic, and sociable man, Manet's artistic portrayal of the kaleidoscopic experience of modern Paris can be seen as a reflection of his personality and interests. For much of his career, Manet's urban subjects and seemingly detached approa
More on Getty ULAN- Date
- 1865
- Medium
- Watercolor over graphite
- Culture
- French
- Department
- Drawings
- Institution
- Getty Museum
"One of the most beautiful, strangest, and terrible spectacles one could see is a bullfight," wrote Édouard Manet to his friend the poet and critic Charles Baudelaire in 1865. Fascinated by bullfights, Manet here chose to illustrate the violent moment of a bull goring a horse with its horn. While the horse is pinned against the arena, the *torero,* dressed in red and still clutching his cape, escapes by jumping over the barrier. The *picador* or "horse-master" is caught helplessly between his mount and the wall while two spectators try to lift him to safety. Manet probably made this drawing at the scene of an actual bullfight. He used an energetic and gestural line to define the forms for the bodies of the bull and horse. Thin lines of black watercolor delineate the figures, and applied shades of color give three-dimensional form. Touches of yellow, red, blue, and brown animate the crowd of spectators, while economically applied black paint suggests details such as facial features.
The authoritative record is held by Getty Museum. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Related across collections
Semantically similar works from Getty Museum and other institutions.