Study of a Boy Reading

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Study of a Boy Reading

Creator

Joseph Wright of Derby

Artist · 1734–1797

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The effects of light fascinated Joseph Wright of Derby. An attorney's son, he trained as a portrait painter in London, but he returned to Derby, the first major English painter to build his career outside the capital. With scientific experiments a source of general fascination, his meticulously painted figure groups in dark interiors illuminated by candles or lamps carried his reputation to London

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Date
about 1766
Medium
Grisaille pastel with touches of black chalk, on blue paper
Culture
British
Department
Drawings
Institution
Getty Museum
Object ID
6a19c0d0-cf3b-46de-affb-03aac2043afa

From the Getty Museum record

In a closely-cropped composition, a boy intently reads a book resting on a table. Light, presumably from a nearby window, falls softly from the left and illuminates his hair, face, clothes, and the pages of his book. The scene is entirely described in powdery grisaille pastel which diffuses the light and heightens its subtle transitions and reflections. Joseph Wright of Derby is now most famous for his genre paintings featuring effects of strong artificial light in dark settings. This drawing relates to A Philosopher giving that lecture on the Orrery, in which a lamp is put in place of the Sun (Derby Museum), exhibited in 1766; the features of the reading boy in the drawing are extremely similar to those of a boy pictured in the foreground of the painting. The Orrery painting was bought by Washington Shirley, 5th Earl Ferrers, and family tradition notes that the boy shown in the foreground was his nephew Laurence Rowland (1757-73), who would have been nine or ten years old at the time. Although not a direct study for the painting (the lighting is different), the identification—and link between painting and drawing—is compelling and has been reinforced in recent publications. The subtle light effects in the drawing and the close-set rendering of the scene evoke the print medium of mezzotint, with which Wright was acquainted and which was successfully used to reproduce his paintings and anticipates the aesthetics of nineteenth-century photography.

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