Classical Nudes (recto); Classical Statuary (verso)

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Classical Nudes (recto); Classical Statuary (verso)

Creator

Théodore Géricault

French Artist · 1791–1824

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> Obstacles and difficulties which repel mediocre men are a necessity and nourishment to genius. They mature and elevate it, when in an easier road it would have remained cold. > > --Théodore Géricault Géricault's fiery, daring personality and short life fit the mold of Romantic artists of his era and, along with his controversial paintings, profoundly influenced nineteenth-century art. Despite ab

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Date
about 1814–1815
Medium
Graphite, pen and brown ink, and brown wash
Culture
French
Department
Drawings
Institution
Getty Museum

Théodore Géricault relied only on broad outlines and richly applied washes to produce the muscular bodies of these two nudes. He reused a sheet covered with pencil drawings, creating new, more powerful forms that contrast linearity with volume. He may have sketched them at the École des Beaux-Arts in Paris, where he copied antique statues for practice. The figures on the verso are less inventive and more orderly, arranged in two neat rows. Using pen and ink to cover older pencil drawings of studies of heads, Géricault again copied antique statues, including several in classical armor as well as the figures of Cupid and Psyche. Most of these figures are simple outlines, while others have a delicately applied wash.

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