Coat of Arms of the Rezzonico Family, capped by a Princely Crown and Supported by Two Winged Victories

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Coat of Arms of the Rezzonico Family, capped by a Princely Crown and Supported by Two Winged Victories

Creator

Giuseppe Cades

Italian Artist · 1750–1799

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Giuseppe Cades trained at Rome's Accademia di San Luca but left in 1766 when his master came to resent his excessive independence. When he received his first important commissions in the early 1770s, he employed a late Baroque classicist style inspired by Carlo Maratta. Around 1774, through his association with Johann Heinrich Fuseli's circle, he began adopting influences from Mannerist and Renais

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Date
1767–1779
Medium
Pen and brown ink and brown wash
Culture
Italian
Department
Drawings
Institution
Getty Museum

Underneath a prince's crown, two winged figures of Victory hold up the coat of arms of the Rezzonico family. A simple border of curved lines encircles the sculptured medallion. An unknown Italian artist quickly sketched this design to work out his ideas. Using a pen and brown ink, he experimented with different angles for the outstretched arms of the Victories and for the crown. Loosely applied areas of wash define the women's breasts, wings, and legs. A band of wash around the edge of the circle lifts the design to suggest a more three-dimensional form. From the 1500s onwards, drawings became essential tools for artists to communicate their ideas to patrons and other craftsmen. This design could have been used for fresco or stucco work or for decoration on an object such as a maiolica plate.

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