
Getty Museum
The Critic
Creator
Weegee (Arthur Fellig)American Photographer · 1899–1968
All works by this person →As legend tells it, Arthur Fellig earned the nickname *Weegee* during his early career as a freelance press photographer in New York City. His apparent sixth sense for crime often led him to a scene well ahead of the police. Observers likened this sense, actually derived from tuning his radio to the police frequency, to the Ouija board, the popular fortune-telling game. Spelling it phonetically, F
More on Getty ULAN- Date
- November 22, 1943
- Medium
- Gelatin silver print
- Culture
- American
- Department
- Photographs
- Institution
- Getty Museum
>"I go around wearing rose-colored glasses. In other words, we have beauty. We have ugliness. Everybody likes beauty. But there is an ugliness..." > > --Weegee, in a July 11, 1945 interview for WEAF radio, New York City While Weegee's work appeared in many American newspapers and magazines, his methods would sometimes be considered ethically questionable by today's journalistic standards. In this image, a drunk woman confronts two High Society women who are attending the opera. Mrs. George Washington Kavanaugh and Lady Decies appear nonplussed to be in close proximity to the disheveled woman. Weegee's flash illuminates their fur wraps and tiaras, drawing them into the foreground. The drunk woman emerges from the shadows on the right side, her mouth tense and open as if she were saying something, hair tousled, her face considerably less sharp than those of her rich counterparts. *The Critic* is the second name Weegee gave this photograph. He originally called it, *The Fashionable People.* In an interview, Weegee's assistant, Louie Liotta later revealed that the picture was entirely set up. Weegee had asked Liotta to bring a regular from a bar in the Bowery section of Manhattan to the season's opening of the Metropolitan Opera. Liotta complied. After getting the woman drunk, they positioned her near the red carpet, where Weegee readied his camera to capture the moment seen here.
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