Portrait of George de Ligne Gregory (1740 - 1822)

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Portrait of George de Ligne Gregory (1740 - 1822)

Creator

John Russell

Artist · 1745–1806

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John Russell's extraordinary facility as a pastel painter brought him a fashionable clientele eager to have him execute their portraits. Russell was renowned for his ability to achieve masterful tonal effects by smudging broad, soft areas of crayon. He then accented the paper by applying linear flourishes made with a hard, pointed crayon. Russell had apprenticed with Francis Cotes, the founder of

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Date
1793
Medium
Pastel, on paper, laid on canvas
Culture
English
Department
Drawings
Institution
Getty Museum

John Russell's engaging portrait of George de Ligne Gregory was likely painted to celebrate Gregory's appointment as High Sheriff of Nottinghamshire in 1793. Gregory, the holder of Harlaxton Manor, is shown wearing the sober, sensible garments typical of a nobleman in the early 1790s: a brown double-breasted wool coat with black collar set against a brilliant white linen cravat. In his hand he casually holds a black hat lined with glowing white satin. Gregory's hat and collar are covered with white powder from his fashionably dressed hair. He is somberly yet richly dressed, alert yet seated at ease. Gregory's decorous pose embodies Russell's ideal of depicting the sitter in a manner appropriate to his age. The portrait's brilliant whites, velvety blacks, and masterful interplay of varied flesh tones with blues are all characteristics of Russell's virtuoso application of pastel. Russell achieved the even tonality by manually smudging broad, soft areas of crayon onto the paper. He then applied fine, linear flourishes, such as the white highlighting on the cravat and in the hat lining, with a hard, pointed crayon. Russell's technical facility and acute powers of observation resulted in an engaging representation of the sitter.

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