![[Double Portrait of Gret Palucca]](https://media.getty.edu/iiif/image/787af9e5-71fe-460d-9fe2-ebdbebe26fef/full/808,/0/default.jpg)
Getty Museum
[Double Portrait of Gret Palucca]
Creator
László Moholy-NagyAmerican Photographer · 1895–1946
All works by this person →> The reality of our century is technology: the invention, construction and maintenance of machines. To be a user of machines is to be of the spirit of this century. Machines have replaced the transcendental spiritualism of past eras. > > --László Moholy-Nagy > > Perhaps more than any other artist in the Getty Museum collection, László Moholy-Nagy would have delighted in the presentation of his im
More on Getty ULAN- Date
- 1928
- Medium
- Gelatin silver print
- Culture
- American
- Department
- Photographs
- Institution
- Getty Museum
> Gret Palucca was a modern dancer celebrated for her athleticism and dramatic improvisational style. In 1924 she married Friedrich Bienert and founded her own school in Dresden to train teachers and gymnasts. Through her husband she became acquainted with the Bauhaus community. > > Palucca eventually performed on the Bauhaus stage on April 27, 1927. Like theater, dance was considered a medium with great potential for new expression. Palucca was described as a “dance artist”; she was celebrated by many artists and writers and often photographed in midair. László Moholy-Nagy pictures her at rest and doubles her image by posting together two photographs, creating a Siamese twin effect. For someone as concerned with motion as Moholy, this is a curiously static treatment. > > In 1939, the National Socialists forced Palucca to close her school. She would go on to successfully rebuild her career and reopen her school after World War II. > > Adapted from Katherine Ware, *László Moholy-Nagy*, In Focus: Photographs from the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1995), 74. © 1995 The J. Paul Getty Museum.
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