Saint Sebastian Tended by Saint Irene

Getty Museum

Saint Sebastian Tended by Saint Irene

Creator

Vicente López y Portaña

Spanish Artist · 1772–1850

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In addition to painting portraits of nearly every notable person in Spain during the first half of the 1800s, Vicente López y Portaña also painted religious, allegorical, and mythological scenes. Many historians consider him one of the two most important Spanish painters of his time, second only to Francisco José de Goya y Lucientes. López began formally studying in Valencia at the age of thirteen

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Date
1795–1800
Medium
Oil on canvas
Culture
Spanish
Department
Paintings
Institution
Getty Museum

This painting illustrates the Roman widow Irene nursing Saint Sebastian back to health after he was discovered to be a Christian and shot with arrows by Roman archers. Writhing in pain, Saint Sebastian looks heavenward as Saint Irene pulls arrows from his pierced body. Vicente López y Portaña dynamically composed the figure of Sebastian, with one arm tied above his head and his other arm held by an attendant, in order to more clearly display the wounds on his upper body and to allude to the martyrdom of Christ. Sebastian's bent leg reveals the bleeding gash from which Irene has already removed one arrow. As she leans toward Sebastian's knee, she carefully pulls the saint's flesh in order to extract a second arrow. In the foreground, the depiction of the armor and weapons Sebastian wore as a military captain signals that this event occurred in ancient Rome. López y Portaña's luscious palette and creamy application of paint contrast with the drama and emotion of this religious story. Like Andrea Lilio's Figures Tending to the Wounded Saint Sebastian, this painting differs from representations that show the Saint bound to a tree or pillar, moments after the attack.

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