Christ Baptized

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Christ Baptized

Creator

Juan Carreño de Miranda

Spanish Artist · 1614–1685

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The son of a painter with the same name, Juan Carreño de Miranda began his training in Madrid during the late 1620s. By 1634, he was an independent artist receiving numerous commissions, mainly from the church to paint altarpieces. His earliest work reveals both Italian and Flemish influences, especially from the works of Peter Paul Rubens, Anthony van Dyck, and Titian. In 1658 Carreño was hired a

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Date
about 1682
Medium
Charcoal, red and white chalk, with stumping
Culture
Spanish
Department
Drawings
Institution
Getty Museum

Kneeling on a rock with his head bowed, Christ pushes his hands forcefully against his chest in a sign of humility--an emotional display played up by Juan Carreño de Miranda's bold drawing style. Carreño made this preparatory drawing for his painting *The Baptism of Christ*, which shows John the Baptist anointing Jesus in the desert as God watches from above. To add solidity to the chest and limbs, Carreño used stumping, a technique of blending charcoal and chalk with a soft, stick like object. Thick, charcoal-black lines delineate rippling muscles and slightly enlarged limbs. White-chalk highlights create the illusion that parts of the body project forward in space, adding a sense of three-dimensionality. Red chalk on Christ's hands and feet creates further naturalistic details by suggesting flesh tones. Although Carreño's rough drawing style is distinctly Spanish, the combination of charcoal and red and white chalk reflects the strong influence of Renaissance Venetian art on seventeenth-century Spanish artists. Carreño studied the works of Titian, and often collaborated with other Spanish artists captivated by the Italian style, such as fellow court painter Francisco Rizi.

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