Studies of Three Women

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Studies of Three Women

Creator

Jean-Antoine Watteau

French Artist · 1684–1721

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The son of a roof tiler, Jean-Antoine Watteau showed a penchant for drawing and painting early in life. At eighteen he was apprenticed to a painter in his native town of Valenciennes. Soon after, with little money and few possessions, he made his way to Paris, where he made a living by copying the works of Titian and Paolo Veronese. There he entered the studio of Claude Audran III, the most renown

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Date
about 1715–1716
Medium
Red, black, and white chalk
Culture
French
Department
Drawings
Institution
Getty Museum
Object ID
88260716-f5dc-4af1-a6f1-781c1fc9bb9e

>It was [Jean-Antoine Watteau's] habit to make his drawings in a bound book, so that he always had a large supply of them at hand. When he was in the mood to paint a picture, he resorted to his collection of drawings and chose the figures most suited for the occasion. Just as this early biographer described, Watteau made this drawing as a study of women's costumes and movement. The central figure later appeared in his painting, *Embarkation for Cythera*, a diploma piece that gained him membership in the Académie Royale in 1717; the right figure appeared in another painting. Watteau may have first learned the three-colored chalk technique called *trois crayons* by studying Peter Paul Rubens's drawings. This example shows his mastery of the technique and of composition. Watteau achieved brilliant color effects not only through the sensitivity of his line but also by setting down each chalk separately, rather than mixing the three colors. Although each figure is a separate study, Watteau arranged the three elements to create a pleasing, balanced composition.

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