Getty Museum
The Campo S. Basso: The North Side with the Church (recto); A Market Scene (verso)
Creator
Canaletto (Giovanni Antonio Canal)Italian Artist · 1697–1768
All works by this person →It was fashionable for eighteenth-century English tourists on the Grand Tour to bring home a Canaletto *veduta,* or view painting, to commemorate their trip. A Venetian native, Canaletto was first trained by his father, a theatrical scene painter. In 1719 he went to Rome for a year, possibly studying with Dutch and Italian painters of classical ruins. Canaletto's earliest datable works are four vi
More on Getty ULAN- Date
- about 1740
- Medium
- Pen and brown ink, over black chalk
- Culture
- Italian
- Department
- Drawings
- Institution
- Getty Museum
Sharply receding to the left, a row of buildings with shops along the ground floor exhibits a multitude of architectural details. This view of the north side of Saint Mark's Square features its celebrated clock tower, topped by bronze figures that strike the hours. Yet the church bells on the far right actually belong to a rooftop two buildings away. By moving the bells to the side of the drawing, Canaletto emphasized the receding perspective. He frequently distorted and rearranged monuments to suit his refined sense of composition. Canaletto probably enlisted the aid of a camera obscura, a ruler, and a compass to produce this sketch, reworking it later in his studio. He often referred to drawings for guidance and inspiration. He may also have used this sketch as a pattern for a larger painting from his workshop. Canaletto left many notes on the sketch, including one to remind himself of the drawing he made on the verso--a market scene of elegant gentlemen mingling with vendors among an array of merchandise.
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