Getty Museum
Allegory of Justice
Creator
Georg PenczGerman Artist · 1484–1545
All works by this person →One of the "Little Masters" who made tiny, intricate, and influential prints, Georg Pencz always retained the influence of Albrecht Dürer, whose Nuremberg workshop he entered in 1523. Pencz also kept up with current trends in Italy, varying his style throughout his career. After being banished from Nuremberg in 1525 along with the other "godless painters" Hans Sebald Beham and Barthel Beham for as
More on Getty ULAN- Date
- 1533
- Medium
- Pen and brown ink over black chalk
- Culture
- German
- Department
- Drawings
- Institution
- Getty Museum
- Object ID
- 8c2447ff-a339-4683-bdcd-54563b58ba46
Artists usually illustrated the figure of Justice with attributes of a sword, representing her power, and scales, showing her sense of balance. Paying close attention to her lines and proportions, Georg Pencz drew a powerful female nude in profile. Prominent black chalk lines, diagonal and vertical, indicate his efforts to align various parts of her body. For example, she holds her right hand high to form a diagonal line with her face and right nipple. At first glance, Justice seems to float against a background of fluffy clouds, emphasizing the unbroken silhouette of her form against the empty sky. Her toes, however, project slightly from the picture's bottom frame, as if her feet were firmly balanced on a beam. Pencz's sculptural hatching and cross-hatching suggest he made this design for a print, but no such example is known.
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