Secrétaire

Getty Museum

Secrétaire

Creator

Philippe-Claude Montigny

French Ébéniste · 1734–1800

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Artist

Described in a 1777 Parisian newspaper as "one of the most highly recommended [cabinetmakers] for furniture of tortoiseshell, silver, ebony, or brass of the type made by the celebrated Boulle," Philippe-Claude Montigny specialized in copying and restoring the furniture of the famous seventeenth-century craftsman André-Charles Boulle. The son of an *ébéniste,* Montigny was accepted by the guild as

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Date
about 1770–1775
Medium
Oak veneered with bloodwood, tortoiseshell, brass, pewter, and ebony; gilt-bronze mounts; modern marbleized wooden top
Culture
French
Department
Decorative Arts
Institution
Getty Museum

The large panels of tortoiseshell, brass, and pewter that cover the front and sides of this secrétaire were originally used to decorate tabletops in the late 1600s. One tabletop forms the front, cut in half to form the fall front and a cupboard door beneath. The fall front lets down to form a writing surface. The second top has been cut along its length and used to decorate both sides of the secrétaire. Furniture such as this secrétaire, made in the style now termed "Boulle revival," usually either incorporated panels of late 1600s marquetry by André-Charles Boulle or were conscious copies of works by that master. Boulle's work was still so popular a hundred years after his death that several *ébénistes*, including Philippe-Claude Montigny, produced furniture imitating his designs. The gilt bronze mounts and the form of this piece are typical of the early Neoclassical style known as goût grec, popular with fashionable society. Indeed, the secrétaire is described twice, in the sale catalogues of two courtiers at Versailles, Monsieur de Billy and the comte de Vaudreuil.

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