Woman with a Parasol

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Woman with a Parasol

Creator

Constantin Guys

French Artist · 1802–1892

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> Monsieur G. has deliberately filled a function which other artists disdain, and which a man of the world above all others could carry out. He has gone everywhere in quest of the ephemeral, the fleeting forms of beauty in the life of our day, the characteristic traits of which, with the reader's permission, we have called 'modernity.' > > --Charles Baudelaire, *The Painter of Modern Life* , c.186

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Date
1860–1865
Medium
Watercolor over pen and brown ink
Culture
French
Department
Drawings
Institution
Getty Museum
Object ID
8e879c90-1ac2-4b6a-9138-7de4a6dd2831

From the Getty Museum record

>Having undertaken the task of seeking and explaining beauty in modernity, Monsieur G., enjoys depicting women in all their finery, their beauty enhanced by every kind of artifice... > >--Charles Baudelaire, *The Painter of Modern Life* , c.1860 A fashionably dressed woman promenades through one of Paris' many parks. Protecting herself from the sun, she holds a small blue parasol and wears a bonnet. Touches of white--her gloves, sleeves, and flowing scarf--offset her blue and purple ensemble. Between her billowy sleeves and her gloves, the woman displays golden jewelry. She demurely reaches down with her left hand to hold up her voluminous dress. This mass of material contrasts sharply with her small head and single foot peaking out from below. The woman's immense dress would have been supported by an elaborate structure of crinolines or stiffened petticoats. Constantin Guys produced this drawing at the height of fashion for crinolines and full skirts. To suggest many layers of thin fabric, Guys built up layer upon layer of wash and repeating triangles drawn in ink. Guys' attention to contemporary fashion and make-up made him Charles Baudelaire's quintessential painter of modern life. But Baudelaire championed "Monsieur G" not merely for conveying appearances and artifice. For Baudelaire, Guys' watercolors and drawings not only captured his subjects in the present moment, but also imbued them with a look of timelessness, elevating them to the status of historical figures.

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