
Getty Museum
Portrait of J. Paul Getty
Creator
Gerald L. BrockhurstArtist · 1890–1978
All works by this person →After attending the Birmingham School of Art, Gerald L. Brockhurst entered the Royal Academy Schools in London, where he received the Gold Medal and Traveling Scholarship in 1913. The award allowed him to visit Paris and Italy, where he studied works by early Italian painters. Piero della Francesca and Leonardo da Vinci remained important influences. From 1915 to 1919, Brockhurst lived in Ireland,
More on Getty ULAN- Date
- 1938
- Medium
- Oil on canvas
- Culture
- English
- Department
- Paintings
- Institution
- Getty Museum
At age forty-five when he was beginning to collect art in earnest, J. Paul Getty sat for this portrait at Gerald Brockhurst’s London studio. Getty was on his annual trip to Europe in the summer and fall of 1938, during which he made some of his first major art purchases. It was Brockhurst himself who advised Getty on this occasion to buy the [*Portrait of James Christie*](https://www.getty.edu/art/collection/objects/552/thomas-gainsborough-portrait-of-james-christie-1730-1803-english-1778/), depicting the founder of Christie’s auction house, by the renowned British artist [Thomas Gainsborough](https://www.getty.edu/art/collection/artists/570/thomas-gainsborough-english-1727-1788/) (1727–1788). Brockhurst was one of the most sought-after British portraitists of the 1930s and 1940s; some of his clients included the actress Marlene Dietrich, heiress Sarah Mellon, and Wallis Simpson, Duchess of Windsor. He paid careful attention to realistically capturing his sitters’ physical appearance in their contemporary clothes, set against ambiguous landscape backgrounds. In Getty’s portrait, the pale sky meets horizontal bands of color, placing him in a nonspecific, timeless setting. The cool blues and grays complement Getty’s suit and his composed expression. Unlike other modes of portraiture that might inform viewers about the sitter’s personality or lifestyle, Brockhurst’s austere depiction of Getty reveals little beyond the physical appearance of the man.
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