Fête Vaugirard (Street Fair and Kiosk)

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Fête Vaugirard (Street Fair and Kiosk)

Creator

Eugène Atget

French Photographer · 1857–1927

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Eugène Atget never called himself a photographer; instead he preferred "author-producer." A private, almost reclusive man, Atget first tried his hand at painting and acting, then began to photograph *vieux Paris* (Old Paris) in 1898. He photographed in part to create "documents," as he called his photographs, of architecture and urban views, but he supported himself by selling these photographs to

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Date
1925
Medium
Gelatin silver printing-out paper print
Culture
French
Department
Photographs
Institution
Getty Museum
Object ID
9a4274ad-0859-4d2f-a4c0-bfb7fd6c174d

From the Getty Museum record

> Among the aspects of Parisian life that Eugène Atget thought were endangered and wished to record before they disappeared were the seasonal street fairs that occurred in various neighborhoods in the city. Consistent attractions at these carnivals were merry-go-rounds and circuses with menageries and collections of sideshow freaks. His principal subject in this study is a tawdry, painted pavilion that housed an assortment of animals and, behind it, the "modern" Cirque Lambert. Dangling from the porches of both establishments are primitive electric light fixtures that provided nighttime illumination. There is a somewhat puzzling absence of carnival shills and fairgoers in the picture, but litter on the pavement attests to their earlier presence. In 1922 and 1924-27 Atget made other images of this festival, which was held annually in the area of Vaugirard, near Montparnasse. > > Engulfed by the temporary structures of the fête is a domed hexagonal kiosk that was a permanent fixture of the street. It carries advertisements for newspapers, soup, chocolate, winter vacations in Monte Carlo, etc. A more significant indication of the ordinary appearance of the quarter is the multistoried apartment house visible at left behind the shed and trees. > > Maurice Utrillo owned a print of this image and used it as the direct source for a painting in 1927. To Atget's composition he added only an imaginary poster on the wall of the shed and several groups of figures to animate the spaces, as if the fair were in fuller operation. > > [See other images of Parisian street fairs by Atget.](https://www.getty.edu/art/collection/search/?view=grid&query=YTozOntzOjU6InRpdGxlIjtzOjQ6ImZldGUiO3M6ODoibWFrZXIuaWQiO2E6MTp7aTowO2k6MTcyNzt9czo0OiJzb3J0IjtzOjY6Ii1zY29yZSI7fQ%3D%3D) > > Originally published in *Eugène Atget*, In Focus: Photographs from the J. Paul Getty Museum by Gordon Baldwin (Los Angeles: J. Paul Getty Museum, 2000), 72. ©2000, J. Paul Getty Trust.

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