Pygmalion and Galatea

Getty Museum

Pygmalion and Galatea

Creator

Francisco José de Goya y Lucientes (Francisco de Goya)

Spanish Artist · 1746–1828

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Francisco José de Goya y Lucientes welcomed and received official honors and worldly success with enthusiasm. At the same time he left a ruthlessly penetrating record of his patrons and private expressions of introspection, moral objectivity, and caustic commentary on his times. By the 1780s Goya was Spain's leading painter, specializing in religious pictures and portraits. He acknowledged three m

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Object Description · Getty Museum

A sculptor chisels away at his statue of an ideal woman. Francisco José Goya y Lucientes here referred to the mythological story of Pygmalion, the legendary king of Cyprus who fell in love with a statue. According to Ovid, Pygmalion carved the statue from ivory with wonderful artistry. Every night he prayed to Venus that he might have a wife as beautiful as the image he had created. Finally, the goddess caused the statue to come to life. As Pygmalion's wife, she came to be called Galatea. In a possible self-portrait, Goya depicted Pygmalion with his legs spread wide, readying himself to take a mighty swing at the chisel, which is aimed at Galatea's crotch. Leaning slightly forward, she looks out with a fearful expression. Goya's animated interpretation of the well-known myth is highly original and even mocking. Free application of sepia wash shows Goya's complete command of the range of tones available in this medium.

Getty Museum’s catalogue record

produced_by.carried_out_by[0].id
https://data.getty.edu/museum/collection/person/acb10605-639f-4c07-8936-d1a64a830794
Artist/Maker
Francisco José de Goya y Lucientes (Francisco de Goya)
subject_of[Homepage].id
https://www.getty.edu/art/collection/object/103QYQ
Date
possibly about 1812–1820
Medium
Brush and brown wash
Culture
Spanish
Object Type
Drawing

Taken from LinkedCulture’s stored copy of Getty Museum’s record. A fresh capture of the museum’s own record has not been made for this object yet.

From LinkedCulture

Goya takes the myth of Pygmalion and turns it into something deeply unsettling. In this brush and brown wash drawing, possibly made between 1812 and 1820, a wild-limbed figure rears back with a hammer while a fearful Galatea leans slightly forward, wide-eyed. The freely applied sepia washes show Goya's total command of tone with minimal means. What makes it matter is how completely he subverts Ovid, replacing tender creation with something far more disturbing.

Written by LinkedCulture for its video on this object. Machine-generated (claude-sonnet-4-6), not yet reviewed by a person. It is not part of the museum’s record.

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Open this page QR destination: https://linkedculture.org/q/q1.XCCsTNH-6F7SJLSw.d_HusHGKGXwC2Wf4wA18JJgY6xnW7HeiDO3zIY8uekgHy2qHZ6Tz1HjSgLyH8znz9BYHf-dXesT3VTMovV0mn0oZi9SKiDhXCbtTSgKeegI2M_z2eP3a2depnx2f5auRJOzRH6YXtk4MYtkcIoTiBMTz2GZmXf9vySyLqU7rO2n3RbChjeVguCsVvicLbkwFbii6D84j9v6vXpc9q1Y6l8kiPBbYdc6JhEWEPYptG32HsNQ2Ta8YIVUvVxgSB38UX8bqa7aMa3dWMmpjeAyMEzJw1QvGUFmoDMlHQMFm-a7VNUJtiHSA_G9OARAerSLZ4o74x5bqO3ReS1ENSE4XHJKNNinyN0jWBUkqhKModkq-CyMTjXhShGVwYLykf4y6ZBMhj4Sx4-vuenqSwVBqSee at Getty Museum QR destination: https://linkedculture.org/q/q1.6VyjG0kztmVgUiKG.mT7chrQVQajgrSBhgzBbYUDpSLRizEAJo9QH6PwRzRFbULa3Qw4pdXJoT3QFiG4sWEhXPH3TeB-QnNz3gHya1aSuVMlSpgCX_wcaLu5ALG8NJgeLpHuBDgKUVXCTZDrXUdJT0cnX_bNv6x8OEzhNNnX5rZuN_cuJNBUBt9TRFBk9ozkYJ5whiHeVtq0XAXdISM8sVQpzcNdnr0lUkTC3ZDbo-xhwZy--yA7MEFs7AxHt4IkkF5028NEmkzzFdSIKD1B34n9YewcD25RRAdsbHf0n7PHybiRd7poIeedndk93v78lrQVtXDob-hVrojodwSb-k0FegFvOa5dU1MMBAEdkNGef_19Cd3C0Tnu68dWNBp5nG9hDDSb-rSM
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To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Getty Museum’s wording; the museum’s own record is shown above under its own labels.

Object ID
a20509c3-bd47-4495-88fc-8b7bd40a8564
Object Type
Drawing
  • Getty Museum field “Object Type” · copied as is
Creator
Francisco José de Goya y Lucientes (Francisco de Goya)
  • Getty Museum field “Artist/Maker” · copied as is
Culture
Spanish
  • Getty Museum field “Culture” · copied as is
Medium
Brush and brown wash
  • Getty Museum field “Medium” · copied as is
Department
Drawings
  • Getty Museum field “Department” · derived by LinkedCulture from the museum field · Getty's classification category is stored as department.
Credit Line
The J. Paul Getty Museum, Los Angeles
  • Getty Museum field “Standard Credit Line” · the first available of several museum fields
  • Getty Museum field “Source Credit Line” · the first available of several museum fields
Date
possibly about 1812–1820
  • Getty Museum field “Date” · copied as is
Begin Year
1812
  • Getty Museum field “produced_by.timespan.begin_of_the_begin” · derived by LinkedCulture from the museum field
End Year
1820
  • Getty Museum field “produced_by.timespan.end_of_the_end” · derived by LinkedCulture from the museum field

The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.

LinkedCulture video

Pygmalion and Galatea

Sep 29, 2026 · Short

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