Design for a Circular Dish (recto); Figure Studies (verso)

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Design for a Circular Dish (recto); Figure Studies (verso)

Creator

Taddeo Zuccaro

Italian Artist · 1529–1566

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Taddeo Zuccaro's father taught him to draw, but the flourishing artistic culture of Rome lured him from his home in Sant'Angelo in Vado near Urbino when he was just fourteen. His younger brother Federico Zuccaro later recorded his early career in Rome in a series of twenty drawings—from the rejection from his painter cousin's studio to the study of the High Renaissance masters. Taddeo Zuccaro borr

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Date
about 1553–1556
Medium
Pen and brown ink, brush with brown wash over stylus underdrawing and black chalk, with traces of red chalk offset (recto); red and black chalk (verso)
Culture
Italian
Department
Drawings
Institution
Getty Museum

Taddeo Zuccaro's design for a metal circular dish or salver assured that dining would be a surprising and humorous experience. The sea monsters along the border fight and embrace each other. A large bearded head, possibly Neptune, gazes up from the bottom of the bowl as if from the ocean's depths, only making himself known as the vessel's contents are emptied. Here Zuccaro explored the problem of accommodating active figures within a circular frame. The reclining female figure at the top shares certain features with the sibyl on the verso. In exploring his ideas, Zuccaro flipped the paper over, proceeding naturally from one project to the other. Whether completely spontaneous or more finished, energy and expressiveness characterize his line. The studies on the verso are connected with decorations that Zuccaro completed in a Roman chapel in 1556. Despite their sketchy appearance, he probably drew them at a late stage in the design process because they correspond closely to figures in the fresco. The female figures served as studies for a sibyl in the round lunette above the altar.

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