
Getty Museum
August 1951 (84.XM.801.2)
Creator
Bill BrandtPhotographer · 1904–1983
All works by this person →Discussing his approach to photography, Bill Brandt stated: "I am not interested in rules or conventions. Photography is not a sport. If I think a picture will look better brilliantly lit, I use lights, or even flash. It is the result that counts, no matter how it was achieved." He began his photographic career in Vienna and became an assistant in Man Ray's Paris studio in 1929. Brandt moved to En
More on Getty ULAN- Date
- 1951
- Medium
- Gelatin silver print
- Culture
- British
- Department
- Photographs
- Institution
- Getty Museum
- Object ID
- a3f47961-9e0c-43e5-9a23-51ee6e14cb11
From the Getty Museum record
One day in a second-hand-shop...I found a 70-year old wooden Kodak. I was delighted. Like nineteenth-century cameras it had no shutter, and the wide-angle lens, with an aperture as minute as a pinhole, was focused on infinity....My new camera saw more and it saw it differently....I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed. Thus Bill Brandt described how he came to experiment with distortions of the female body through the use of a special lens on an old camera. The woman's crossed leg and foot point like an arrow to the chair, window, and cityscape beyond, which grounds the viewer in a recognizable space. Bill Brandt's nude studies were among the few works he did not create for a professional assignment.
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