
Getty Museum
Massacre of the Innocents
Creator
Amico AspertiniItalian Artist · 1474–1475
All works by this person →Giorgio Vasari described Amico Aspertini as an eccentric, half-insane master who worked so rapidly with both hands that *chiaroscuro* was split, *chiaro* in one hand, *scuro* in the other. Aspertini was a gifted prodigy whose frescoes, facade decorations, and altarpieces display a complex, eclectic style anticipating Mannerism. Born into a family of painters, Aspertini studied under many Bolognese
More on Getty ULAN- Date
- about 1510–1520
- Medium
- Red and black chalk, with traces of brown ink, heightened with white heightening
- Culture
- Italian
- Department
- Drawings
- Institution
- Getty Museum
On learning of the birth of Christ, whom the Magi called "the King of the Jews," King Herod felt his throne was in jeopardy. Knowing only that the baby was somewhere in Bethlehem, the king ordered Jewish boys around Bethlehem under two years old to be murdered. Alerted by angels, Christ's parents fled to Egypt and saved him. For this drawing, Amico Aspertini borrowed from the ancient Roman sculpture that he had seen in Rome five or ten years before. The intertwining figures at right parallel those on ancient Roman sarcophagi. Aspertini's art also included unidealized shapes and awkward bodies. Original and unconventional for the date, his figures look like local peasants rather than ideal types. Aspertini's draftsmanship characteristically included encrusted white highlights, squat figures, and manic energy. Between about 1510 and 1520, he often used this colorful combination of red and black chalk with white bodycolor. His extreme white heightening lends the drawing a feeling of near three-dimensionality.
The authoritative record is held by Getty Museum. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Related across collections
Semantically similar works from Getty Museum and other institutions.