
Getty Museum
Commode
Creator
Charles CressentFrench Artist · 1685–1768
All works by this person →Charles Cressent, a leading *ébéniste* and sculptor of the late Régence and early Rococo periods, became a master sculptor in 1719. He worked as both *ébéniste* and sculptor to the Regent, Philippe II, duc d'Orléans. His furniture was often decorated with plain veneers, usually of satinwood and amaranth, or veneers in patterns of parquetry. Though Cressent was best known for the highly sculptural
More on Getty ULAN- Date
- about 1745–1750
- Medium
- Fir, oak, and Scots pine veneered with bloodwood and amaranth; drawers of walnut; gilt-bronze mounts; brèche d'Alep top
- Culture
- French
- Department
- Decorative Arts
- Institution
- Getty Museum
Charles Cressent made both the wooden carcass and gilt-bronze mounts for this commode. His practice of casting bronze in his workshop broke strict guild rules; through the eighteenth century, the craft of casting and gilding bronze was restricted to a separate guild. Cressent was fined several times for these infringements; in order to pay the penalties, he was forced to hold sales of his stock. In a catalogue he wrote in 1756 for one such sale, he describes this commode's unique central gilt-bronze mount: "the bronzes [represent] two children who are grating snuff; in the middle is a monkey powdering itself with snuff." By the time it was built, this commode already looked old-fashioned. By the 1740s most commodes were constructed without a central divider that separated the two drawers. Although the curving gilt-bronze branches on the front try to mask this division, Cressent had to split the mount into three pieces--an awkward solution. He seems to have had difficulty selling the commode as it was still in his possession nearly twenty years after its construction.
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