[Sarah Bernhardt as Phedre in Racine's "Phaedra"]

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[Sarah Bernhardt as Phedre in Racine's "Phaedra"]

Creator

Nadar [Gaspard Félix Tournachon]

French Photographer · 1820–1910

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> The sun is only the practitioner, M[r]. Nadar is the artist who wants to give him some work. So wrote a critic of Gaspard Félix Tournachon in 1859. Tournachon's nickname, Nadar, derived from youthful slang, but became his professional signature and the name by which he is best known today. Poor but talented, Nadar began by scratching out a living as a freelance writer and caricaturist. His writi

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Date
negative about 1874; print and mount 1880s
Medium
Albumen silver print
Culture
French
Department
Photographs
Institution
Getty Museum

Introduced in the 1860s, cabinet cards were studio-produced photographs mounted on cardstock. Inexpensive multiples offered for public sale, they often featured portraits of celebrities of the day--writers, musicians, actors--and were widely collected. Nadar's photograph of Sarah Bernhardt (French, 1844-1923) as Phèdre is from a collector's album of cabinet card portraits of Bernhardt by various photographers. A famous actress in the late 1800s, the "Divine Sarah" was a brilliant self-promoter at a time when the basis of celebrity was shifting from the political figure to the theatrical performer. Bernhardt pioneered the use of new technologies to disseminate her image: she was one of the most photographed women in the world, and the first major stage actress to star in films. She made several recordings of famous theatrical dialogues including a reading from Racine's Phèdre at Thomas Edison's home. A recognizable figure, Bernhardt--often depicted in theatrical costume--endorsed commercial products. Contemporary with this cabinet card, her image appeared on cigarette cards, an early form of product promotion. Advertisements as well as collectable ephemera, cigarette cards like cabinet cards, reinforced Bernhardt's image in popular culture.

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