[First Days of Unemployment Compensation in California: Waiting to File Claims]

Getty Museum

[First Days of Unemployment Compensation in California: Waiting to File Claims]

Creator

Dorothea Lange

American Photographer · 1895–1965

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Artist

Born Dorothea Nutzhorn in Hoboken, New Jersey, to first-generation German Americans, Dorothea Lange was stricken at age seven with polio, which left her right leg and foot disfigured. Her father abandoned the family when she was twelve. After high school, she apprenticed with portrait photographer Arnold Genthe in Manhattan and studied with Clarence H. White at Columbia University’s Teacher’s Coll

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Object Description · Getty Museum

> In the Farm Security Administration (FSA) file (now in the Prints and Photographs Division, Library of Congress), the series of pictures from which this image comes is captioned "Unemployment benefits aid begins. Line of men inside a division office of the State Employment Service office at San Francisco, California, waiting to register for benefits on one of the first days the office was open. They will receive from six to fifteen dollars per week for up to sixteen weeks. Coincidental with the announcement that the federal unemployment census showed close to ten million persons out of work, twenty-two states begin paying unemployment compensation." > > Dorothea Lange's documentation of the beginnings of New Deal unemployment insurance in California was available through the FSA for use in picture magazines, newspaper articles, and government reports. *Survey Graphic*, the progressive journal to which she and the economist Paul Taylor (whom she married in 1935), contributed, reproduced a similar image from this session to introduce an article on the status of the new system about a year later. Explaining why some states had trouble keeping up with claims from the millions of unemployed, the March 1939 piece reminded readers: "As was to be expected the machinery creaks. To start than the normal weight was heavier at the start than the normal weight the machinery will have to carry." > > Between 1935 and 1939 Lange's beat for the RA/FSA was often San Francisco. When not traveling to cover dust bowl farmers or Southern sharecroppers, being "in the field" meant photographing the unemployed in flophouses in the Mission District, in hockshops on skid row, or at Salvation Army meetings, listening to the band and the preacher. Judith Keller, *Dorothea Lange,* In Focus: Photographs from the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2002), 38. © 2002 J. Paul Getty Trust.

Getty Museum’s catalogue record

produced_by.carried_out_by[0].id
https://data.getty.edu/museum/collection/person/d6446240-36e4-49d8-a9e7-bf0126c6cd95
Artist/Maker
Dorothea Lange
subject_of[Homepage].id
https://www.getty.edu/art/collection/object/108FZ2
Date
January 1938
Medium
Gelatin silver print
Culture
American
Object Type
Print

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Open this page QR destination: https://linkedculture.org/q/q1.b9ii1oU21gE7Ncer.BG0rH9DNHne1EPZGeK2KLq07CLpZLJFME9RDkXBL_QBw4Lh-jLDjPZgggvgoVaaVbsWraK_YwRa6TcB_qQBI8TWc08HSfhwUdVC7x4TFp0wczbpPhIuScDcmzitcRjolTJJGd1_Cu2bwxVVGei6XHwWy7Y5veacBaJ2dpog6wNq8PFahs2usGs5FPnfR6q01ccrnvk0-AxclMhZ7J3q07sd1pGFqYJyDefngtJmlgzQ7D_rnUZzFR2GDh7TdUoEeMA8YuNnAqtKiVppvbc3CnjtydsGDGILasZICGpHueu5CPaX40w-oIgIeUrMk8xIUN8h52lkkjSXvCiOa0UqGTe1kYB8M9FFuM8InSBULL5yIM_sC0F_ce6vbzFc96lkGZ69CzBLgTS9eBprvBy1kSee at Getty Museum QR destination: https://linkedculture.org/q/q1.56I5UVTI3jFR-DM8.zIpacjXDHpkx7WaYMmksKd9A2vZd8nzt61g6iNh8q4eAGUu8Ng3JafV2XPxNHt6CpcuK91rmTqay06MvsKZNCiYDRbqu72b4le03xDmb2x5kgSKTFFyaCKVmEL6hniq3iZKyzR_WLEQmb-rQs83sCGAr73EwgjeachFlFL_cwbE1Eezj1XsmClXpZx023jgaMWiTx4nk3DJ0TEV185ZfJrG6-oF5B4sGYgol9MbsCsFXizXYLP7VWIq5rSAjX84ulG9L0uvIXfecuaVybF6TDdKpHVybqp7EW3L5_tVFsZnly5OK1M7Kpsdi6arMPOct1ZBOsEzOFpb4aY7fFHoPfzRtwqvxrGHuZ01PMw6KIyZh5rZWWUv9VdH98NE
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Object ID
ad326cd9-16f6-41da-96b3-3981fedfa9ad
Object Type
Print
  • Getty Museum field “Object Type” · copied as is
Creator
Dorothea Lange
  • Getty Museum field “Artist/Maker” · copied as is
Culture
American
  • Getty Museum field “Culture” · copied as is
Medium
Gelatin silver print
  • Getty Museum field “Medium” · copied as is
Department
Photographs
  • Getty Museum field “Department” · derived by LinkedCulture from the museum field · Getty's classification category is stored as department.
Credit Line
The J. Paul Getty Museum, Los Angeles
  • Getty Museum field “Standard Credit Line” · the first available of several museum fields
  • Getty Museum field “Source Credit Line” · the first available of several museum fields
Date
January 1938
  • Getty Museum field “Date” · copied as is
Begin Year
1938
  • Getty Museum field “produced_by.timespan.begin_of_the_begin” · derived by LinkedCulture from the museum field
End Year
1938
  • Getty Museum field “produced_by.timespan.end_of_the_end” · derived by LinkedCulture from the museum field

The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.

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