Magdalene (Brookfield)

Getty Museum

Magdalene (Brookfield)

Creator

Julia Margaret Cameron

British Photographer · 1815–1879

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After receiving a camera as a gift, Julia Margaret Cameron began her career in photography at the age of forty-eight. She produced the majority of her work from her home at Freshwater on the Isle of Wight. By the coercive force of her eccentric personality, she enlisted everyone around her as models, from family members to domestic servants and local residents. The wife of a retired jurist, Camero

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Date
May 1865
Medium
Albumen silver print
Culture
British
Department
Photographs
Institution
Getty Museum
Object ID
b0427a73-5349-43cd-9bce-772e4e0458f7

From the Getty Museum record

Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the rose is blown. -Alfred, Lord Tennyson, in Maud The woman in the garden is a common theme of Victorian poetry and painting, often representing beauty and romantic love. Magdalene Brookfield, a family friend of Julia Margaret Cameron, is the dark-haired woman strolling through this garden. Her pyramid-shaped figure is centered in the photograph, and so is Cameron's focus. Brookfield's face, hand, and a part of a nearby bush are sharply defined. The rest of the image blends into soft-focus, emphasizing her mysterious, pointing gesture. Perhaps Magdalene represents the subject of a man's obsession, as in Alfred, Lord Tennyson's 1855 poem, Maud, in which the ephemeral qualities of love and a woman's beauty are ascribed to nature. Like Eve in the Garden of Eden, the woman in nature becomes part of a moral theme of the virtuous woman versus the fallen woman. Cameron probably made this outdoor, full-figure study at the London home of her sister, Sara Prinsep.

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