
Getty Museum
The Beast Acheron
Creator
Simon MarmionFlemish Illuminator · 1450–1489
All works by this person →Not long after his death, Simon Marmion was praised by the poet Jean Lemaire de Belges as the "prince of illumination." This reputation probably owed much to the artist's proficiency in depicting nature and his skill as a storyteller. Marmion was especially gifted in the representation of light and the textures of objects, as well as the creation of engaging psychological content in the gestures a
More on Getty ULAN- Date
- 1475
- Medium
- Tempera colors, gold leaf, gold paint, and ink
- Culture
- Franco-Flemish
- Department
- Manuscripts
- Institution
- Getty Museum
In this miniature, Tondal's wandering soul observes the punishments meted out in Hell to the greedy. The illuminator has envisioned the entrance to Hell as the mouth of the beast Acheron, whose name derives from Greek mythology, referring to the river in Hades or Hell. This creature rolls its horrid eyes, its mouth gaping threateningly wide; two devils impaled on its sharp teeth hold its mouth open. Inside, souls endure brutal torment in a fiery furnace. Flames from this hot pit, represented with wispy brushstrokes of blue, red, orange, yellow, and green, lap about the edges of the beast's upper lip. The artist, Simon Marmion, represented Tondal's soul as a naked and vulnerable figure. In the Middle Ages, souls were commonly represented as nude human figures, expressing the idea that the trappings of the material world are shed in death. Except for the angel's blue robe, which is brightened with gold flecks and lines, Marmion saturated this scene with the dark, vivid colors he reserved for Hell.
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