Diana and Her Nymphs in a Landscape

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Diana and Her Nymphs in a Landscape

Creator

Laurent de La Hyre

French Artist · 1606–1656

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When, at the age of thirty-three, he married the daughter of the personal bodyguard of Louis XIII, king of France, Laurent de La Hyre became the focus of French aristocratic gossip. By this time, he was already well known as a painter and greatly favored by the religious orders. After studying painting with his father, he made a mark on the Parisian art scene with his first major commission, an al

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Date
1644
Medium
Oil on canvas
Culture
French
Department
Paintings
Institution
Getty Museum
Object ID
c4c0b296-127f-4991-a7bc-63f8e8b7e168

Diana and her nymphs rest and bathe after the hunt, their catch guarded by a loyal hound, in an idealized landscape with classical ruins. As in his many other landscapes, Laurent de La Hyre rendered a romantic view of a river valley, a poetic setting for a nostalgic theme. Drawing from the work of Nicolas Poussin, La Hyre employed a classical composition with an orderly recession into space framed by trees. To Poussin's antiquarian interests, La Hyre added Claude Lorrain's limpid light effects. Philippe de La Hyre, Laurent's eldest son, summed up his father's academic approach: "His subjects were placed in a landscape or architectural setting, which he treated with perfection according to all the rules of perspective, of which he had made a special study. Thus his works were in demand, and he himself was held in high esteem." In the late 1600s, the Gobelins manufactory wove the design of this painting, along with *Glaucus and Scylla* and four other mythological designs by La Hyre, into a tapestry series on the loves of the gods.

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