Christ and the Adulteress

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Christ and the Adulteress

Creator

Valentin de Boulogne

French Artist · 1591–1632

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Little is known of Valentin de Boulogne's short but influential career except that he had moved to Rome by 1614. He may have studied with Simon Vouet, and he was profoundly influenced by the realism of the art of Caravaggio and his followers. He was Nicolas Poussin's friend; the two young Frenchmen may have met for the first time in Rome, the artistic mecca and crossroads of all classes and nation

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Date
about 1618–1622
Medium
Oil on canvas
Culture
French
Department
Paintings
Institution
Getty Museum

Light illuminates the neck and shoulders of a woman looking down at the figure of Christ kneeling on the ground. The Pharisees had brought to Christ a woman caught in the act of committing adultery. When they asked whether she should be stoned, he stooped down and began to write with his finger on the ground. When they continued to ask, Christ said, "He that is without sin among you, let him first cast a stone at her." The male accusers watch with varying expressions; some absorb Christ's words, while others recollect their own transgressions. Profoundly influenced by Caravaggio's realism and dramatic lighting, Valentin de Boulogne used light and shadow and a shallow frieze-like arrangement of figures to convey the scene's emotion. Figures fade into the dark background, while faces, hands, and even a knee emerge from the dimness. The figures are highly individualized, especially the old man at the right who holds his glasses firmly to his nose in order to see better and the elderly man with the weathered face and scraggly hair who holds his cape back against his shoulder. For this biblical narrative, Boulogne used contemporary, working-class people as models, a practice initiated by Caravaggio at the turn of the century.

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